The landscapes I have photographed over the past years cannot be unambiguously regarded as natural or cultural, nature or nurture. Nor is it clear what the most appropriate representation of reality is: a drawing, a negative or a print?
Unique white carbon prints in three layers of titanium white on single weight baryta paper.
A series ‘photographic’ drawings of 54 negatives, complemented by notes of measurements taken in the field and colour prints
Tables of meausuremets of the distances between the trees corresponding to the sketches.
A selection of drawings made after in-camera negatives.
Three layer colour carbon prints from a black and white negative.
Three: a collection in time and in space is the last part of the project. In this part trees from different negatives are brought together as a collection, based on the concepts of time and space. Carbon print from a digital negative, 23×57 cm. Edition 3 + 2 A.P.